Terrified by a threat inside the Arconia, the trio race out of the city. A member of Charles' family provides refuge and yet, this safe house proves to be anything but.
"Valley of the Dolls" was written by Rob Turbovsky & Matteo Borghese and directed by Shari Berman & Robert Pulcini
Charles, Oliver and Mabel flee the city upon learning they are being watched by the killer. They seek refuge on Long Island with Charles' younger sister Doreen. The podcasters are smart enough to know their credit cards and cell phones can be tracked. However, they still tell Howard where they are going. In turn, that allows so many people to find them. Doreen is more than happy to open her empty nest to all of them. And yet, it's never truly an escape from the threats that lurk back at the Arconia. To Doreen, the podcast serves as a way to remain connected to her brother. She sees the storytelling as painting a cozy picture. Yes, it's a show about murder. The people Charles knows keep dying. That never stays the main hook. It's almost always about the dynamic between the three leads. They are amateurs trying to solve these cases. They have been successful so far. However, they've missed numerous clues too. They misattributed actions belonging to a season's killer because it allowed for everything to be neatly resolved. That was a false sense of satisfaction. In fact, the killer now targeting them has been watching them since the podcast started. They only now realize it.
Charles, Oliver and Mabel flee the city upon learning they are being watched by the killer. They seek refuge on Long Island with Charles' younger sister Doreen. The podcasters are smart enough to know their credit cards and cell phones can be tracked. However, they still tell Howard where they are going. In turn, that allows so many people to find them. Doreen is more than happy to open her empty nest to all of them. And yet, it's never truly an escape from the threats that lurk back at the Arconia. To Doreen, the podcast serves as a way to remain connected to her brother. She sees the storytelling as painting a cozy picture. Yes, it's a show about murder. The people Charles knows keep dying. That never stays the main hook. It's almost always about the dynamic between the three leads. They are amateurs trying to solve these cases. They have been successful so far. However, they've missed numerous clues too. They misattributed actions belonging to a season's killer because it allowed for everything to be neatly resolved. That was a false sense of satisfaction. In fact, the killer now targeting them has been watching them since the podcast started. They only now realize it.
Charles, Oliver and Mabel aren't the ones who put those particular pieces together either. Instead, the actors provide a fresh perspective. Mabel puts Eugene, Zach and Eva to work mostly to keep them busy. She doesn't expect much from them. The new trio are used to being discounted because they are actors. They actually have accumulated a wide array of skills that come in handy. They have insights that no one else has. The original trio are contractually obligated to keep their acting doubles safe. That's an absurd detail to put in a contract. It's yet another way to keep the film production closely tied to the ongoing murder investigation. The new case has nothing to do with the previous one being adapted for the screen. The fact that so many plot holes exists is relevant. It's fresh in the minds of the actors. They have revisited the first season. Charles, Oliver and Mabel have grown since then. They left behind unsolved mysteries. They thought Jan was to blame for everything that happened. However, the threatening letter she received is the exact same message that was delivered to the podcasters about being watched. That's not a coincidence.
Moreover, Howard discovers who has been cashing Dudenoff's social security checks at a local bodega. His podcast about animal jobs is ridiculous. And yet, it's a way for him to earn good favor. He receives access to security tapes because of promises he makes. He doesn't have to actually follow through on them either. He's learned that tactic from the podcasters. He is learning and growing as well. Mabel trusts him. Of course, he openly shares details about the investigation. Everyone knows where to find Charles, Oliver and Mabel because Howard can't keep a secret. It makes life in hiding more difficult. Despite that, he proves himself by uncovering a new conspiracy in the West Tower. The westies apparently knew Dudenoff was dead. They have been cashing the money he receives from the government. Vince even has a second phone to pretend to be Dudenoff. Howard calling that number tips the co-conspirators off that they are about to be exposed. The pieces have been put together by the podcasters. Time is running out. This is a damning piece of evidence. One that shows many of these characters still have plenty to hide. It's just a matter of who is ultimately motivated enough to kill and have a personal vendetta against Charles, Oliver and Mabel for seasons.
Those are the big reveals of the murder mystery. They are absolutely relevant. However, the show's success also relies on the emotional lives of these characters. They are surrounded by absurd people. The narrative is comfortable satirizing the entertainment industry. It applies the same energy to the people who live on Long Island. It's perhaps too broad and one-note. It suggests that the story won't be spending a lot of time here. In fact, the podcasters already have a reason to return to the Arconia to interrogate new suspects. Moreover, Charles and Doreen largely resolve their issues. Doreen is an obsessive doll collector. It's creepy. It's consumed her entire personality. Meanwhile, she's in a fight with her husband. That prompts him to stay out of the drama for the longest time. He eventually comes around. By then, Charles is no longer worried about securing the house against any potential threats. That was only a distraction anyway. A lot needs to be communicated about the dynamic between the siblings in this one episode. They share a mother. They have stories about how unkind she was. There is a large age gap between them too. As such, they don't always have an easy way to bond. It's still worth putting in the effort. Charles has learned this lesson before. He can't hide away from the world. He has to engage with the people who want a connection with him. That's still the basic story with Doreen.
Guest star Melissa McCarthy sure has a fun time playing up the over-the-top characteristics belonging to Doreen. That's especially true when she flirts with Oliver. He believes he is now single after Loretta rejected his proposal. In reality, she never got the message. Instead, it was her stand-in who answered the phone. She couldn't provide an answer as a result of bandages being wrapped around her head. Loretta quickly finds Oliver too. They have their first real chat since the Hollywood party in the premiere. She had the opportunity of a more successful life elsewhere. When the two of them are together, things are still magical. Sure, that requires Loretta to recognize how insane Oliver is. He opens up about being Ronnie online. He lied to her. He deceived her in the hopes of snooping on her life. He was jealous of the potential she had for something else. Meanwhile, Loretta is willing to fight for Oliver. She gets into a brawl with Doreen. It's a grand display of physical comedy. It's not the best the show has ever produced. It's still entertaining. Plus, it doesn't detract from the emotional resolution reached. Oliver and Loretta are engaged. It's happy news worth celebrating despite the daunting declaration Eugene, Zach and Eva make the following morning.